April 29, 2025 at 7:30 p.m.
Beethoven + Schumann
Symphony Nº 1
Moody Performance Hall
2520 Flora Street, Dallas, TX 75201
The world premiere of Rivers and Dust, a DCS-commissioned concert work from Award-winning composer Joseph Kraemer, opens this program, which also features Adam Jackson on Beethoven’s Fourth Piano Concerto. After intermission, the orchestra will perform Robert Schumann’s exuberant First Symphony; Richard McKay conducts.
$29-54 reserved seats
Program
Main event starts at 7:30 p.m.
Richard McKay conducts
Joe Kraemer
Rivers and Dust
Commissioned by the Dallas Chamber Symphony
World Premiere Performance
Ludwig van Beethoven
Piano Concerto No. 4 in G Major
Adam Jackson, piano
Allegro moderato
Andante con moto
Rondo (Vivace)
Intermission
Robert Schumann
Symphony No. 1 in B-Flat Major, "Spring"
Andante un poco maestoso. Allegro molto vivace
Larghetto
Scherzo. Molto vivace
Allegro animato e grazioso
Program duration:
110 minutes, including intermission
$29-54 reserved seats
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About the Artists
Joe Kraemer, composer
Joe Kraemer has worked with various reputable filmmakers including JJ Abrams, Channing Tatum, John Sayles, Tom Cruise, Georgia Tennant & Douglas Trumbull. Joe’s music can be heard in well-known feature films including Jack Reacher, Mission: Impossible – Rogue Nation, The Way of the Gun and TV shows including the Romanian cop satire Comrade Detective (TV Series) directed by Rhys Thomas for A24 on Amazon Prime and the supernatural Creeped Out (TV Series) co-produced by BBC & DHX Media. Most recently he wrote the music to the dramatic thriller The Man Who Killed Hitler & Then Bigfoot directed by Robert Krzykowski and starring Sam Elliott, released in theaters February 8th, 2019.
Joe has been scoring films since the age of 15, when he composed the soundtrack for high school classmate Scott Storm’s The Chiming Hour, a feature-length indie shot on Super 8 in 1986. It was during this time that he first met a young writer named Christopher McQuarrie, a meeting that would lead to three career-defining projects for Kraemer, The Way of the Gun, Jack Reacher, and the upcoming Mission: Impossible – Rogue Nation.
Kraemer would leave high school behind to attend the renowned Berklee School of Music in Boston to study Film Composing. Kraemer’s first real ‘industry’ gig was scoring the NBC/Warner Brothers pilot The Underworld, written and produced by Christopher McQuarrie, shortly following McQuarrie’s Oscar win for The Usual Suspects. Though the series was not picked up, the pilot was repurposed as a TV movie, where it has gained a small, cult following.
Kraemer and McQuarrie would team for the first career-defining moment The Way of the Gun, McQuarrie’s debut as a feature film director. A modest showing at the box-office relegated the film to cult-status, but the film would be a favorite for ‘temp-scoring’ by music editors. Ron Howard relied on the score heavily as temp music for his Best Picture film A Beautiful Mind, so much so that he included Kraemer’s music in the deleted scenes on the DVD and Blu-Ray.
In the years following The Way of the Gun, Kraemer carved out an eclectic career scoring all manner of films, from documentaries to television movies to action and horror films. He has written music for over 100 films, TV movies, episodic television, and film shorts, some 40 films just for The Hallmark Channel/Larry Levinson Productions alone! Strong melodic writing and superb dramatic sensibilities have kept him at the forefront of their rotation, and highlights include his scores for John Putch’s The Poseidon Adventure and A Time to Remember, the Mystery Woman series of ten films, and westerns such as Hard Ground, Lone Rider and The Trail to Hope Rose. He has also written the music for The Hitcher II and Joyride 2 for director Louis Morneau, and six films with writer-producer Mark Altman, including House of the Dead 2, The Thirst and All Souls Day.
Kraemer’s close artistic partnership with Altman led to scoring duties for Altman’s TV series Femme Fatales, a sexy homage to film noir and other genres for HBO/Cinemax. Kraemer also wrote the score for the prestigious documentary An Unreasonable Man, an Oscar-shortlisted feature about Ralph Nader for directors Steven Skrovan and Henriette Mantell.
Kraemer received rave reviews in 2015 for his music in Dawn Patrol & also for 2015’s biggest summer box office release Mission: Impossible – Rogue Nation. He was the WINNER of 2016’s “Discovery Composer of the Year” Award at the World Soundtrack Awards in Ghent, Belgium.
Adam Jackson, pianist
Winner of the Dallas International Piano Competition 2024, Adam Jackson was born in the UK and began piano studies at the age of 7 when he moved with his family to the US. In 2017, Adam was accepted into the Kaufman Music Center High School, began studies with renowned pianist Orli Shaham in early 2018 and entered Juilliard Pre-College in 2019.
Adam has performed with orchestras including the Amadeus Chamber Orchestra of Polish Radio in Poznan, Poland, the Siletz Bay, Oregon Festival Orchestra, the New York Chamber Players, the Park Avenue Chamber Symphony, and the Symphony of Westchester.
Adam has performed solo recitals in the US, UK and Poland. He has participated in master classes with Richard Goode, Mikhail Voskresensky, Alexandre Moutouzkine, Boris Slutsky, and Ilana Vered.
At the age of 11, Adam won 1st prize in the Under-16 category at the National Eisteddfod of Wales, appearing live on British television. In 2017, Adam won the International Young Musicians competition at the Llangollen International Musical Eisteddfod, Wales, second prize in the Leschetizky International Concerto Competition, and third prize in the Kaufman International Youth Piano Competition, New York. In 2019, Adam won 1st place in the Special Music School Concerto Competition.
Adam has attended summer festivals including, the 2018 Morningside Music Bridge at Fryderyk Chopin University, Warsaw, the 2019 “Music@Menlo” Chamber Institute, California, and studied with Arie Vardi and Hung-Kuan Chen at the 2022 Aspen Music Festival.
Adam is pursuing piano performance studies at The Juilliard School of Music under the tutelage of Profs. Orli Shaham and Julian Martin.
Richard McKay, music & artistic director
Richard McKay is a conductor of the symphonic and operatic repertory across the United States, Europe and South America. An established leader in the vibrant Dallas arts community, his recent performances have been hailed by critics as “spellbinding,” “finely paced,” and “perfectly shaped” (D Magazine and The Dallas Morning News).
McKay has worked with the Baltimore Symphony and Dallas Symphony, where he has assisted conductors Günther Herbig, Carlos Kalmar, Jaap van Zweden, and many others. He has led performances at the Aspen Music Festival where he was a fellowship conductor at the American Academy of Conducting. McKay has also conducted the Fort Worth Symphony, Dallas Opera Orchestra, Irving Symphony, Baltimore Chamber Orchestra, Mendoza Symphony, Estonian National Youth Symphony, and others. Other program highlights have included successful collaborations with Texas Ballet Theater and Bruce Wood Dance.
McKay holds a doctorate from the Peabody Conservatory where he trained with Gustav Meier, Markand Thakar, and Marin Alsop while serving as assistant conductor and chorus master of the Peabody Orchestras and Opera. He graduated with a Master of Music degree in orchestral conducting from The University of Texas at Austin, where he conducted performances at the Butler Opera Center and served as Music Director of the University Orchestra.