Listen / Stream:
November 11, 2025 at 7:30 p.m.

Tchaikovsky's "Rococo" + Mozart & Dvořák

Moody Performance Hall

2520 Flora Street, Dallas, TX 75201

Richard McKay leads a vibrant program opening with Dvořák’s Czech Suite, full of folk-inspired charm and lyrical warmth. Award-winning cellist Alexander Hersh then takes the spotlight for Tchaikovsky’s Rococo Variations, a graceful and virtuosic showpiece. The concert concludes with Mozart’s Symphony No. 38, the “Prague” — an expansive and brilliant work from the composer’s mature years.

$29-54 reserved seats​

Program

Main event starts at 7:30 p.m.
Richard McKay conducts
Antonin Dvořák
Czech Suite

Preludium (Pastorale): Allegro moderato
Polka: Allegretto grazioso
Sousedská (Minuetto): Allegro giusto
Romance: Andante con moto
Finale (Furiant): Presto

Peter Ilyich Tchaikovsky
"Rococo" Variations (original version)
Alexander Hersh, cello

Thema. Moderato assai quasi Andante – Moderato semplice
Var. I. Tempo della Thema
Var. II. Tempo della Thema
Var. III. Andante
Var. IV. Allegro vivo
Var. V. Andante grazioso
Var. VI. Allegro moderato
Var. VII. Andante sostenuto
Var. VIII e Coda. Allegro moderato con anima

Intermission
Wolfgang Amadeus Mozart
Symphony No. 38, "Prague"

Adagio – Allegro
Andante
Presto

Program duration:

110 minutes, including intermission

$29-54 reserved seats​

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(214) 449-1294

9:00 a.m. – 5:00 p.m.
Monday – Friday

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About the Artists

Alexander Hersh, cello

Having given his Carnegie Hall recital debut in 2022, cellist Alexander Hersh has quickly established himself as one of the most exciting and creative talents of his generation. He frequently appears as soloist with major orchestras, including the Houston Symphony, Baltimore Chamber Orchestra, and Boston POPS, and has received top prizes at competitions worldwide including the: 2024 Naumburg International Cello Competition, 2022 Pro Musicis International Award, 2020 Salon de Virtuosi Career Grant, 2019 Astral Artists National Auditions, National Federation of Music Clubs Biennial Young Artists Competition, New York International Artists Association Competition, Friends of the Minnesota Orchestra, Ima Hogg, Schadt, Artist Concerts Series National Solo Competition, Luminarts Classical Music Fellowship, Borromeo String Quartet Guest Artist Award, Hellam Young Artist Competition, Boston Pops/New England Conservatory Competition, Jefferson Symphony International Young Artists Competition, Society of American Musicians, Saint Paul String Quartet, and the Fischoff National Chamber Music competition.

The Musiq3 critics of the RTBF Belgian Radio company gave Hersh’s performance at the inaugural Queen Elisabeth Cello Competition in Belgium in 2017 a rave review: “With his scenic presence and charm, Hersh has everything to become the darling of the public.”

An active recording artist, Hersh released his debut album ABSINTHE in 2023. The project marries his love of classical music with short films, comedy, and themed merchandise. The narrative based videos are available on Hersh’s YouTube channel and the album is out now on all streaming platforms.

A passionate chamber musician, Hersh has performed the complete string quartets of Béla Bartok and Alban Berg and much of the rest of the chamber music canon at music festivals worldwide including: Marlboro, Caramoor, Ravinia Steans Music Institute, Music@Menlo, I-M-S Prussia Cove, Perlman Music Program Chamber Music Workshop, Piatigorsky International Cello Festival, Amsterdam Cello Biennial, Kneisel Hall, Lucerne, New York String Orchestra Seminar, Domaine Forget, and the Meadowmount School of Music.

Hersh is co-artistic director of NEXUS Chamber Music, a collective of international artists committed to stimulating interest in serious chamber music. NEXUS presents a two week chamber music festival across the city of Chicago each August, featuring new and obscure works alongside standard works of the chamber music canon. NEXUS plays to unusual and intimate venues with the mission of breaking down the barriers that often separate performers from audience members.

A 4th generation string player, Alexander’s parents, Stefan and Roberta, are both active professional violinists. His grandfather, Paul Hersh, is professor of viola and piano at San Francisco Conservatory of Music, and his great grandfather, Ralph Hersh, was a member of the WQXR and Stuyvesant String Quartets, and principal violist of the Dallas and Atlanta Symphony Orchestras.

Raised in Chicago, Alexander Hersh began playing the cello at the age of 5. He studied with Steve Balderston and Hans Jørgen Jensen, and attended the Academy at the Music Institute of Chicago. Hersh received his B.M. from New England Conservatory (with academic honors) where he was a student of Laurence Lesser and recipient of the Clara M. Friedlaender Scholarship. In May of 2017, he received his M.M. from New England Conservatory where he studied under the tutelage of Paul Katz and Kim Kashkashian. In 2017, Hersh was a recipient of the Frank Huntington Beebe fund for studies in Berlin where he studied with Nicolas Altstaedt at the Hanns Eisler Hochschule for Musik Berlin. He plays a G.B. Rogeri cello on generous loan from a sponsor through the Guarneri Hall Affiliate Artists program and Darnton & Hersh Fine Violins in Chicago, IL.

Richard McKay, music & artistic director

Richard McKay is a conductor of the symphonic and operatic repertory across the United States, Europe and South America. An established leader in the vibrant Dallas arts community, his recent performances have been hailed by critics as “spellbinding,” “finely paced,” and “perfectly shaped” (D Magazine and The Dallas Morning News).

McKay has worked with the Baltimore Symphony and Dallas Symphony, where he has assisted conductors Günther Herbig, Carlos Kalmar, Jaap van Zweden, and many others. He has led performances at the Aspen Music Festival where he was a fellowship conductor at the American Academy of Conducting. McKay has also conducted the Fort Worth Symphony, Dallas Opera Orchestra, Irving Symphony, Baltimore Chamber Orchestra, Mendoza Symphony, Estonian National Youth Symphony, and others. Other program highlights have included successful collaborations with Texas Ballet Theater and Bruce Wood Dance.

McKay holds a doctorate from the Peabody Conservatory where he trained with Gustav Meier, Markand Thakar, and Marin Alsop while serving as assistant conductor and chorus master of the Peabody Orchestras and Opera. He graduated with a Master of Music degree in orchestral conducting from The University of Texas at Austin, where he conducted performances at the Butler Opera Center and served as Music Director of the University Orchestra.

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